{"id":4167,"date":"2019-12-12T11:44:05","date_gmt":"2019-12-12T09:44:05","guid":{"rendered":"https:\/\/www.bjcalarasi.ro\/?page_id=4167"},"modified":"2019-12-12T11:46:37","modified_gmt":"2019-12-12T09:46:37","slug":"4167-2","status":"publish","type":"page","link":"https:\/\/www.bjcalarasi.ro\/?page_id=4167","title":{"rendered":"Anghelescu Ni\u021b\u0103"},"content":{"rendered":"\n
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ANGHELESCU, Ni\u021b\u0103 (n\u0103scut la 5 noiembrie 1903, \u00een comuna Cuza Vod\u0103, jude\u021bul C\u0103l\u0103ra\u0219i \u0219i a murit la 28 februarie 1999, la Bucure\u015fti)<\/p>\n\n\n\n

Descriere: <\/strong>fiu de plugar din Cuza Vod\u0103,\n\u0219i-a petrecut copil\u0103ria \u015fi primii ani de \u015fcoal\u0103, \u00eentrerupti de izbucnirea\nr\u0103zboiului, \u00een comuna natal\u0103. <\/p>\n\n\n\n

Va absolvi Academia de Arte Frumoase din\nBucure\u015fti \u00een 1934. Bursier al statului rom\u00e2n la\nParis \u00een domeniul picturii, Ni\u021b\u0103 Anghelescu, un nume cunoscut de localnici, s-a\ndedicat arheologiei \u00een ultima parte a vie\u0163ii (1951), parcurg\u00e2nd o carier\u0103 artistic\u0103 peste care oamenii sudului\nnu pot trece u\u0219or, mai ales c\u0103, \u00eencep\u00e2nd cu anul 1951 este numit director al\nMuzeului Regiunii Bucure\u0219ti \u0219i \u00eentemeietorul muzeelor din C\u0103l\u0103ra\u0219i, Slobozia\n(aici organizeaz\u0103 o sec\u0163ie care va deveni, dup\u0103\norganizarea administrativ\u0103 din 1968, Muzeul Jude\u0163ean Ialomi\u0163a), Alexandria, Turnu-M\u0103gurele \u015fi Ro\u015fiorii de Vede. <\/p>\n\n\n\n

\u201cSe nume\u015fte Ni\u0163\u0103 Anghelescu acest\narbore care se ia la \u00eentrecere cu secolul XX \u00eensu\u015fi, \u00eencerc\u00e2nd s\u0103 dea \u015fi \u00een v\u00e2rst\u0103\no m\u0103sur\u0103 exact\u0103 a ceea ce \u00eenseamn\u0103 duhul \u0163\u0103ranului rom\u00e2n, puterea r\u0103d\u0103cinoas\u0103\nde a impune via\u0163a lui \u00een via\u0163a imens\u0103, colosal\u0103 a Cosmosului \u00eentreg<\/em>\u201d, comenta\nPaul Tutungiu, \u00een eseul Un artist\nialomi\u021bean<\/em>, sensibilitatea plasticianului.<\/p>\n\n\n\n

Pentru artistul Anghelescu\npictura (temele majore fiind portretul \u015fi peisajul) \u201eeste un limbaj mai propriu, o structur\u0103 apt\u0103 s\u0103 exprime \u00eentrega gam\u0103 de\naptitudini intime. Dac\u0103 iarba ar putea s\u0103 picteze, am vedea tablouri solemne\ndespre drumul sevei prin r\u0103d\u0103cini. Dac\u0103 a\u015ftrii ar putea s\u0103 picteze, am vedea\nimensitatea lumii p\u0103strate \u00een limitele tridimensionele ale unui tablou de, s\u0103\nzicem, 20cm\/20 cm. Nu \u00eenseamn\u0103 de aici nimic altceva dec\u00e2t c\u0103 omul \u00ee\u015fi exprim\u0103\npropria identitate prin tot ceea ce face. Dup\u0103 cum, nu \u00eenseamn\u0103 nimic c\u0103 am dat\neu, acum, ultimul, defini\u0163ia picturii. Ceea ce vam spus este numai defini\u021bia\nmea<\/em>\u201d<\/a>[1]<\/a>.<\/p>\n\n\n\n

A f\u0103cut numeroase c\u0103l\u0103torii de documentare \u00een:\nItalia, Elve\u0163ia, Spania, Fran\u0163a,      \nGermania, Austria, Turcia, Bulgaria, China \u015fi fostul URSS, realiz\u00e2nd\nnumeroase peisaje de o rar\u0103 frumuse\u021be.<\/p>\n\n\n\n

Cu ocazia centenarului pictorului \u00een anul 2003, Muzeul\nDun\u0103rii de Jos l-a s\u0103rb\u0103torit cu toat\u0103 onoarea care i se cuvenea unui\n\u00eentemeietor de muzeu \u0219i plastician al locului, cu sensibilit\u0103\u021bi pentru\npeisajele ce prezentau lumea rural\u0103 a B\u0103r\u0103ganului, compozi\u021biile fiindu-i expuse\n\u00een Foaierul Fordoc din C\u0103l\u0103ra\u0219i.<\/p>\n\n\n\n

Studii:\n<\/strong>a absolvit Academia de Arte Frumoase din\nBucure\u015fti \u00een 1934; a renuna\u0163at\nla pictur\u0103 pentru a se dedica arheologiei (1951).<\/strong><\/p>\n\n\n\n

Profesia\/Ocupa\u021bia:<\/strong> artist plastic (pictor), arheolog.<\/strong><\/p>\n\n\n\n

Activitatea\nprofesional\u0103\/Func\u021bii:<\/strong> a debutat la saloanele\noficiale de pictur\u0103 (unde expune \u00eentre 1934-1944);  a executat lucr\u0103ri de\npictur\u0103 mural\u0103 \u00eentre anii 1936-1948. \u00een 1938 \u015fi 1950 particip\u0103 la o Expozi\u0163ie\nde grup la C\u0103l\u0103ra\u015fi; a fost membru al Uniunii Arti\u015ftilor Plastici din\nRom\u00e2nia; director\nal Muzeului Regiunii Bucure\u015fti \u015fi \u00eentemeietorul muzeelor din C\u0103l\u0103ra\u015fi,\nSlobozia, Alexandria, Turnu-M\u0103gurele \u015fi Ro\u015fiorii de Vede (1951); ca arheolog, a participat la cercet\u0103rile\narheologice de la Andolina, Piscul Cr\u0103sani, Satul Nou (jude\u0163ul C\u0103l\u0103ra\u015fi),\nrezultatele cercet\u0103rilor fiind valorificate \u00eencep\u00e2nd din anul 1954 \u00een\npublica\u0163iile Institutului de\nArheologie \u02eeVasile\nP\u00e2rvan\u02ee <\/em>din Bucure\u015fti: Studii\n\u015fi Cercet\u0103ri de Istorie Veche \u015fi Arheologie<\/em> (S.C.I.V.A., S.C.I.V.).<\/p>\n\n\n\n

\u00cen 1975 se pensioneaz\u0103de\nla Muzeul de Istorie din C\u0103l\u0103ra\u015fi, \nrevenind la prima sa pasiune, pictura \u015fi realiz\u00e2nd noi crea\u0163ii,\norganiz\u00e2nd alte expozi\u0163ii creeaz\u0103 unele tablouri \u00een ulei ce pot fi considerate\nadev\u0103rate capodopere: \u02ee\u00cenceput de\nviscol \u00een B\u0103r\u0103gan<\/em>\u02ee; <\/em> \u02eeC\u0103ratul\nf\u00e2nului<\/em>\u02ee; <\/em> \u02eeCuib de\nbarz\u0103 la Br\u00e2ncoveni<\/em>\u02ee; \u02ee\u00ce<\/em>nserare \u00een\nB\u0103r\u0103gan<\/em>\u02ee.<\/p>\n\n\n\n

Colabor\u0103ri\nla publica\u0163ii:<\/strong>\na publicat \u00eenrevistele de specialitate editate de\nInstitutul de Arheologie \u02eeVasile P\u00e2van\u02ee: S\u0103p\u0103turile\nde la Satu Nou<\/em>, \u00een \u02eeMateriale \u015fi Cercet\u0103ri\nArheologice\u02ee, nr. 5 (1958), pp. 535-542; Descoperiri arheologice la Independen\u0163a<\/em>, \u00een \u02eeMateriale \u015fi Cercet\u0103ri Arheologice\u02ee,nr.\n7 (1961), pp. 495-502; Morminte din\nsecolul IV descoperite la C\u0103l\u0103ra\u015fi<\/em>, \u00een \u02eeIalomi\u0163a \u2013 Studii \u015fi Comunic\u0103ri\u02ee, vol. 1 (1977), p. 75- ; Manifest\u0103ri plastice, <\/em>\u00een \u02eeCutur\u0103 \u015fi civiliza\u0163ie la Dun\u0103rea de Jos\u02ee, vol. 1 (1985), p. 229- ; Cultura Boian<\/em>; Cetatea Bizantin\u0103 de la P\u0103cuiul lui Soare<\/em>.<\/em><\/p>\n\n\n\n

Opera artistic\u0103:<\/strong><\/a> \u00eenc\u0103 din\ntimpul studen\u0163iei se remarc\u0103 prin unele lucr\u0103ri \u00een ulei, cum ar fi: \u02eeCamer\u0103 de student<\/em>\u02ee, <\/em>\u02eeStudiu de\natelier<\/em>\u02ee, <\/em>\u02eePoiana \u0163apului<\/em>\u02ee \u015fi <\/em>\u02eeIarna \u00een Bucure\u015fti<\/em>\u02ee; \u201dMargine de\ndumbrav\u0103<\/em>\u201d (1941);\u201dPortretul\nmamei<\/em>\u201d \u0219i \u201dAutoportret<\/em>\u201d (1946), \u201dToamna la C\u0103l\u0103ra\u015fi<\/em>\u201d (195?) – aflate \u00een\npatrimoniul Muzeul Dun\u0103rii de Jos; \u201dGosp\u0103d\u0103rie\n\u00een B\u0103r\u0103gan<\/em>\u201d(19?2); dou\u0103 lucr\u0103ri de grafic\u0103 \u00een tu\u0219, peisaje ilustr\u00e2nd Poiana\n\u021aapului (1933, 1977); \u201dIntrarea \u00een portul\nvechi<\/em>\u201d \u0219i \u201dRinul larg<\/em>\u201d(ambele \u00een\n1982).<\/strong><\/p>\n\n\n\n

Expozi\u0163ii personale:<\/strong> prima expozi\u0163ie personal\u0103\n(1976) \u2013 itinerat\u0103 la C\u0103l\u0103ra\u015fi, Slobozia \u015fi Cuza Vod\u0103; 1977 \u2013 Bucure\u015fti; 1980 \u2013\nSlobozia; 1981 \u2013 Bucure\u015fti, \nC\u0103l\u0103ra\u015fi; 1983, 1988 \u2013 Bucure\u015fti. <\/p>\n\n\n\n

Crea\u0163ia sa se afl\u0103 r\u0103sp\u00e2ndit\u0103 \u00een\nmuzee \u015fi colec\u0163ii din \u0163ar\u0103 \u015fi str\u0103in\u0103tate.<\/p>\n\n\n\n

Premii (Distinc\u021bii): <\/strong>Cet\u0103\u0163ean de Onoare al C\u0103l\u0103ra\u015fiului (conform H.C.L.\nnr. 64\/1996).<\/p>\n\n\n\n

Referin\u021be critice:<\/strong> <\/a>l-au apreciat Anghel Pavel, \u00een Revista \u201dMuzeelor\n\u015fi Monumentelor\u201d nr. 8 din 1977;\nPaul Tutungiu, \u00een prefa\u021ba catalogului expozi\u021biei\nitinerante de grafic\u0103 \u0219i pictur\u0103 din luna octombrie 1976 de la Slobozia, C\u0103l\u0103ra\u0219i\n\u0219i Cuza Vod\u0103 \u0219i \u00eentr-un\nscurt eseu numit Un artist ialomi\u021bean<\/em>,\n\u00een http:\/\/artindex.ro\/2014\/01\/30\/nita-anghelescu-pictor-si-arheolog\/<\/a>; Marin Mihalache spunea despre\ntablourile lui Ni\u0163\u0103 Anghelescu c\u0103 sunt de \u201eun\nrealism discret poetizat<\/em>\u201d; Mariei Moraru, \u00een \u201dTribuna Ialomi\u021bei\u201d din 30\noctombrie 1976; Doru Mielcescu, Dan Grigorescu (a se vedea URL: http:\/\/artindex.ro\/2014\/01\/30\/nita-anghelescu-pictor-si-arheolog\/<\/a>).<\/p>\n\n\n\n

Surse\nbibliografice<\/strong>:<\/strong><\/p>\n\n\n\n

CODRIN, \u015eerban, Personalia. Dic\u0163ionar al personalit\u0103\u0163ilor\nialomi\u0163ene<\/em>, Editura Ex Ponto, Constan\u0163a, 2002, pp. 12-13; <\/p>\n\n\n\n

DINC\u0102, Ana\nAmelia,  Catalogul Sec\u0163iei de Art\u0103<\/em>: [dic\u0163ionar biobibliografic], [Editura\nDaim], Bucure\u015fti, 2006, pp. 23-24.<\/p>\n\n\n\n

Surse\nwebsite<\/strong><\/a>:<\/strong><\/p>\n\n\n\n

http:\/\/artindex.ro\/2014\/01\/30\/nita-anghelescu-pictor-si-arheolog\/<\/a><\/p>\n\n\n\n

https:\/\/mediacalarasi.ro\/muzeul-dunarii-de-jos-amintiri-despre-nita-anghelescu\/<\/a> (articol scris de Constantin Mitulescu, 1\noctombrie 2016)<\/p>\n\n\n\n

\nhttp:\/\/www.revistamonumenteloristorice.ro\/fisiere\/\n<\/div><\/figure>\n\n\n\n
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Salonul de toamn\u0103, C\u0103l\u0103ra\u015fi 2016<\/a><\/blockquote>